MTHA 380 - Dance Improvisation: Theory and Practice

If, as some scholars suggest, movement is the beginning of active thought (Sheets-Johnstone, Becker, Cross), then exploring spontaneous movement is where the crafts of theatre and choreography can begin as well. Analysis of improvised, immediate movement patterns allows the actor and dancer to examine closely both conscious and unconscious thought patterns. From that baseline, the physical artist can develop an expanded repertoire of movement options, which can be enriched through practice in directed improvisation techniques.

Credits: 3